Wednesday, September 07, 2011

Jitka Hanzlová

Policeman, 2004.
Moon Shine, 2002.
 I came across Jitka Hanzlová when reading about the Sublime, she takes photographs in the woods, privately. She experiences fear and hears the silence 'stop' as she looks through the lens.

Available at: http://www.suttonlane.com/artists/jh/images/ss.php [Accessed 7th September 2011]

Valerie Hegarty

Warped Scape. 2009.


First Harvest in the Wilderness with Woodpecker. 2011.







Exposing art to the elements.. Fire, Nature. 

Available at: http://valeriehegarty.com/home.html [Accessed 7th September 2011]






Liliana Porter

Forced Labour (Weaver- Blue). 2008.
Detail: Forced Labour (Weaver- Blue). 2008.
Red Shoes. 2010.
Scale, feeling small, being small. We are insignificant, but only when compared to others.

Available at: http://lilianaporter.com/ [Accessed 7th September 2011]

Wlodzimierz Cygan

No-Full. Wool/Linen. 2010.

Detail: No-Full. Wool/Linen. 2010.
Available at: http://www.cygan.art.pl/cygan_en/index_2.html#/artworks/2 [Accessed 7 September 2011]

King and Queen

A modern update on the King and Queen rocks, much changed since the postcard circa 1912. 



I bought this postcard at the second hand market. After the photograph of the rocks in the sea I found in my step-grandfathers collection I became fascinated about being a rock in the sea, holding fast against time. The modern photograph shows time has taken its toll, but only a little.

Robert Smithson

Spiral Jetty. 1970.
Broken Circle. 1971.
Art on a huge scale, altering actual land masses. The Spiral Jetty is in a 'dead sea', is this significant?

Friday, September 02, 2011

Leeds Art Gallery

I went, I saw, I left. 

Kevin Laycock. Collision. 2009.
Francis Bacon. Head V|. 1941
John Piper. Derelict cottage, Llanthony.
Gillian Ayres. Helios. 1990.
Peter Lowe. Skewed Relief no 2/10. 1980.
Adelsteen Normann. The Sognefjord, Norway. c.1885
John William Inchbold. Stonehenge. 1872.
John William Inchbold. At Bolton (The White Doe of Rylstone). 1855